Wiels, the institution for contemporary art, has been a groundbreaking leader in the scene for many years. And it has refused to be silent for just as long, fortunately.

In “Unexchangeable”, it has delved into a number of Belgian private collections with a sharply critical perspective and an astounding selection of works, by Louise Lawler, Cindy Sherman, Jimmie Durham, Jean-Michel Basquiat, Jef Geys, Franz West, Chéri Samba, and others. But it is also exploring the questions of what precisely constitutes the value of a work of art and the bizarre situation that Belgian collectors are rarely asked to show their collections in museum contexts.

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