Studio Visit: Isaac Cordal
Cordal develops his reflection on humanity and its behaviour – and the consequences of that behaviour – against a background of rundown districts and grey urban monotony. In addition to submissiveness, individualism, and the inculcated fantasies of uniformity, he also focuses on the ecological effects of our actions. He is fascinated by the nooks and crannies in the city where nature tries to survive. Summer Sponsored by BP shows a swimmer whose underside is painted in sticky black. And at Beaufort04, the fourth edition of the Triennial of Contemporary Art by the Sea, Cordal is exhibiting Waiting for Climate Change, an installation that presents his little cement statues, in an almost apocalyptic way, on the beach at De Panne and in Villa Le Chalutier.
It was on that same coast, standing in the garden of a villa in Knokke, that, to his surprise, he saw that helicopter. “What is it that drives you to buy one of those? When do you make that decision? You’re sitting at the dinner table with your wife and kids, and suddenly your wife asks you: ‘What’s the matter, love? What are you thinking about?’ ‘Oh, nothing, I was just thinking about buying a helicopter.’ [laughs]” For Isaac Cordal it can serve as a symbol of inequality, of the power and oddness of the one per cent of the population, of the intertwining of politics and economics, and of the changed concept of individualism: “Before, as an individual you were much more part of a group. That is much less so now. At the same time there are also lots of people who work hard for a local community. Here in Etterbeek there are several little groups like that who organise things together. That makes life more pleasant for everyone.
Five years ago ‘global’ was the big word. Now you can see that local work coming more to the fore.”In that limited, local context, Cordal’s little Cement Eclipses, incorporated into the fabric of the city, generate sparks of astonishment. Another work, Cement Bleak, is equally fascinating: by bending sieves and making use of the existing street lighting, Cordal is able to conjure up magnificent, ghostly shadows of faces on the street – a splendid, temporary way of immersing the city in magic.
The little statues with which Cordal roams the city take shape in his studio, which currently means one room in his flat in Etterbeek. “All that dust doesn’t go down very well,” he told us with a laugh. “I have looked for a studio near home, but that turned out to be difficult and expensive. It is cheaper than in London, alright, but in the guise of a studio you get offered a room with a table and it turns out you have to share it with twenty other people, moreover. [laughs]” On a shelf there are tubes of modelling clay for children and clementine boxes. On the floor of his studio lies a piece of linoleum on which he makes the moulds and casts his little cement figures. On the table and in cupboards there is a whole collection of unpainted little statuettes, waiting to be sent out on patrol. Riot police, businessmen, combative street rebels, and melancholy figures staring dully, who bring sorrow and the accompanying catharsis to the streets. “I make them here, but it is outdoors that the real work begins. The street is great: you can just use the space that is there. I find it more difficult to create the setting myself in a gallery. In the city everything is there at hand: puddles, holes in the roadway, etc. Sometimes I go looking for those places and come back to them later. At other times it is more spontaneous, spur of the moment. You get a lot of reactions, too while you're making something. People start asking whether you made that hole in the street yourself. [laughs] In Milan someone stood there for ten minutes thinking about what he saw.”
BOROUGH: Etterbeek
EXHIBITIONS:
11/5 > 10/6, Centre for Fine Arts: Canvascollectie/Collection RTBF (several photos of Cement Eclipses), www.bozar.be
31/3 > 30/9, De Panne beach & Villa Le Chalutier: Beaufort04 (Waiting for Climate Change), www.beaufort04.be
10/2012, Harlan Levey Projects: solo exhibition, www.hl-projects.com
BOOK: Cement Eclipses. Small Interventions in the Big City (published by Carpet Bombing Culture, 256 pages)
INFO: isaac.alg-a.org
Photos © Heleen Rodiers
Read more about: Expo
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